Several years ago, I inherited a children’s literature course from a teacher who was retiring. To make a long story short, she was generous enough to provide her syllabus since I had nothing, nada, zilch in the way of course prep. Scanning the reading list, I noticed Brian Selznick’s The Invention of Hugo Cabret, and I was so stoked for the semester.
Selznick visited Memphis my last year in grad school, and I missed the opportunity to see him (darn you, stupid job). I always regretted not being able to hear him read and speak because I admire his work so much.
When he released Wonderstruck in 2011, I immediately added it to my TBR list, no questions asked. Now, here we are in 2014, and it was finally at the top of my stack.
Selznick’s books are nothing if not behemoths, but their heft is well worth the extra forearm strength it takes to tote them around.
The books’ content is mostly composed of beautifully crafted illustrations done with pencil on watercolor paper (as per the frontispiece). Selznick’s ability to manipulate light and shadow in his work is helpful to his intended audience, as light and shadow often guide the reader’s attention when it might otherwise have been lost. He also has the uncanny ability to use his characters’ eyes to radiate emotions as powerfully as real people. My favorite illustration in Wonderstruck is a depiction of Rose’s mother, who is angry that her deaf daughter has come, unaccompanied, to visit her in the city. The mother’s back is turned away from the reader in the illustration, but we are able to see her angry reflection in the mirror on her dressing table. Masterful!
Ben’s story in Wonderstruck felt very familiar to me, as I couldn’t help comparing his story to Hugo’s. There are quite a few similar elements: a young boy searching for his place in the world, trying to connect himself to family members who are no longer present, a rediscovered familial connection that might have been lost if the main characters had behaved as their guardians wished them to, a benevolent friend who provides information without realizing it and without whom the connections would never have been made.
While some readers may find the repetition story elements to be tiresome, I think the technique works really well in Selznick’s work. Children who love The Invention of Hugo Cabret will find the themes reinforced in Wonderstruck, and sometimes reinforcement acts as the equivalent of validation.
The coolest thing about Selznick’s books (depending on who you ask and on what end of the eBook vs. pBook spectrum they’re on) is that he doesn’t make his books available electronically. That’s right. You can’t download Hugo or Wonderstruck. Read more about that here. When you consider that the illustrations make up the biggest part of both books, it makes sense for the author/illustrator to be biased towards an actual physical product. As a lover of both e- and pBooks, I find it sort of comforting that there are authors who are willing to hold out in favor of ink and paper (or, in this case, pencil and paper), and there is something intrinsically satisfying about watching a child’s self-esteem blossom after realizing he can finish the whole thing on his own.
So far I’ve loved everything I’ve ever read of Selznick’s. The stories and plot lines are tightly woven, and he doesn’t allow the reader to get distracted, an important quality in a text intended for children. His illustrations are more expressive than many similar books in the genre, and he provides his readers, both young and old, with a sense of comfort, of knowing that someway, somehow, we all belong, and we all have a purpose, accomplishing not just the goal of children’s literature but of capital-L Literature as well.
Have you read The Invention of Hugo Cabret or Wonderstruck? What did you think?