Media-painted portraits of Afghanistan are rarely favorable. What we see on the television and in newspapers and magazines exposes a war-torn country where everyday life is precarious and little to no order exists for its citizens. Over the last decade, the emotions of the American public have run the gamut from enraged to indifferent regarding the state of that country and the continued presence there of the US. In The Dressmaker of Khair Khana, however, Gayle Tzemach Lemmon carefully weaves the true story of what it’s like to live in a Taliban-centered world.
The Dressmaker of Khair Khana tells the story of the Sidiqi family and begins in 1996 when the Taliban first came to occupy Kabul. Through Kamila’s story and that of her family readers are able to see the human face of the conflict-ridden country, a valuable history for those of us who aren’t necessarily well-educated regarding the history of the Middle East prior to the events of September 11.
Lemmon’s writing style allows the reader to forget, if only momentarily, that she is in fact telling a factual story. Sure, details have been changed, altered, or omitted for the sake of safety, but nonfiction is not at all infallible as a genre. The storytelling style used in The Dressmaker of Khair Khana reads as though it is fiction until Lemmon includes a detail that makes the story altogether too real.
Kamila, the “protagonist” of the story, comes to be the head of her family when her parents are forced to move north after the Taliban occupation. Through her ingenuity she is able to sustain not only her own family but numerous other families in her neighborhood as well. Her story is one of intrigue, perseverance, daring, and danger, a timeless inspiration for any reader.
Although the book seems to be ultimately geared toward a female audience, both males and females will enjoy the history related in Kamila’s life story. Through the book, we come to learn that the conflict within the borders of Afghanistan was not initiated just prior to September 11, that the conflict had in fact been raging there for a number of years, something not necessarily pointed out in media reports today. Readers are also educated as to the difference between the Taliban and Al Qaeda, an important detail since we generally tend to conflate the two terms.
By the end of The Dressmaker of Khair Khana, readers will have gained a better sense of what it meant to live in Afghanistan then and what it means to live there now. While it remains certain that there are pockets of resistance (as there have been for a number of years), a sense of hope also remains, a hope that someday the country and its citizens will again assume their normal ways of life without the added stresses of war and conflict.